“False Cities” by Christopher Paul Stelling
Brooklyn based folk-singer’s second album kicks off with a bang, then settles into a nice, warm groove.
Brooklyn based folk-singer’s second album kicks off with a bang, then settles into a nice, warm groove.
Berninger and company aren’t trying to rock your world by being flashy, there are enough bands floating around it that shallow pool. Instead, they want to be a part of it. Quietly creeping into your subconscious as easily as if breathing.
On this highly anticipated comeback, Daft Punk leave behind sample-heavy dance music and go for a mature pop sound of the 1970s.
Shortly after the release of Nocturne, Wild Nothing is back with his Empty Estates EP, and it could just be his most captivating work to date.
Maintaining the title of Most un-Southern Rock, Southern Rock Band, The Features shine as only they can with this eponymous release.
While their finger-pointing is not nearly as poetically snide as say Alanis Morissette, their bitterness is intriguingly inviting.
Longtime Kiwi favorites return with sparse, psychedelic-progressive pop in a nearly 80 minute escape.
Perpetually relaxing yet never anesthetizing, Silver Wilkinson is the promise of Bibio fulfilled.